INSTRUMENTAL WORKS

 

 

ORCHESTRAL

 

Extended Perception of Echo for Strings, 1992 (ca 7’30’’)

(8,8,8,8,4) or (6,5,4,4,4)

Dedicated to Ewelina

 

La Musique d’adieu pour orchestre à cordes, 1993 (ca 13’30’’)

(6,5,4,3,1)
Hommage à Andrzej Krzanowski

 

Piece for String Orchestra, 1994/95 (ca 9’)

(6,5,4,3,2)
Igor Stravinsky in memoriam

 

Piece for Orchestra, 1994/95 (ca 9’)

(2,2,2,2/4,2,2,0/tmp/strings)
Igor Stravinsky in memoriam

 

Trans-At-LAN-Tic, 2006 (ca 7’35’’)

for symphony orchestra and tape

(3,3,3,2,1/4,3,2,1/3batt+tmp/pfte/strings)

 

Ukiyo-e, 2012 (ca 12’)

for string orchestra

(6,5,4,3,1)

 

Adagio - Krzysztof Penderecki in memoriam, 2020 (ca 8’)

for string orchestra

(6,5,4,4,2)

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Symphony No. 1 "Un livre sur l'homme", 2020 (ca 22’)

for large symphony orchestra

(3,3,3,3/4,3,3,1/3batt/ar/pfte/strings)
Hommage à Roman Ingarden

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FOR SOLO INSTRUMENTS WITH ORCHESTRA

 

Concerto 2000, 1999/2000 (ca 26’)

for clarinet and symphony orchestra

(cl solo/3,3,3,3/4,2,2,1/2batt+tmp/ar/pfte/strings)

 

Chamber Concerto 2000, 1999/2000 (ca 26’)

for clarinet and string orchestra

(cl solo/6,5,4,3,2) 2nd version of Concerto 2000

 

Meditation No. 1, 2010/11 (ca 15’30’’)

for alto saxophone and symphony orchestra

(sax solo/3,3,3,3/4,3,3,1/batt (4esec)/ar/pfte/strings 16,12,9,8,6)

 

Malchera, 2014 (ca 16’)

for harp and symphony orchestra

(ar solo/2,2,2,2/4,2,2,1/batt (4esec)/ar/pfte/strings 16,12,9,8,6)

 

War Game, 2014/15 (ca 17’)

Concerto for alto saxophone and large chamber ensemble

(sax solo/1,1,1,1/1,1,1,0/batt (2esec)/ar/pfte/strings 1,1,1,1,1)

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Ukiyo-e No. 2, 2015 (ca 18’)

Concerto for flute and symphony orchestra

(fl solo/2,2,2,2/4,2,2,0/batt (1esec)/cel/strings)
Tōru Takemitsu in memoriam

 

Ukiyo-e No. 3, 2016 (ca 19’)

Concerto for violoncello and symphony orchestra

(vc solo/3,3,3,3/4,3,3,1/batt (3esec)/hp/pfte/strings)

Dedicated to Danjulo Ishizaka

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Ukiyo-e No. 4, 2018 (ca 12’)

for clarinet, french horn, piano and string orchestra

(strings 5,4,3,2,1)

Dedicated to Roman Widaszek, Tadeusz Tomaszewski and Joanna Domańska

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CHAMBER

 

Three Preludes, 1990 (ca 4’)

for clarinet and piano

Dedicated to Paweł Szczyrba

 

Three dialogues, 1993/94 (ca 11’-12’) 

for oboe and bassoon

 

ABC des Esefisg für Violoncello, Posaune, Harfe, Klavier und Schlagzeug, 1995 (ca 10')

 

In C, 1996 (ca 6’)

for clarinet, viola (cello) and piano

Dedicated to Marek Stachowski

 

Ferragosto per tromba, pianoforte e batteria, 1997 (ca 17’)

batt (3esec)
Dedicated to Gustaw Herling-Grudziński

 

Tribute To Miles, 1999 (ca 8’40’’)

for trumpet and one percussion player

 

Reflection No. 1, 2003 (ca 9')

for string quartet

 

Strade di Venezia, 2005/6 (ca 11’)

for flute, clarinet and bassoon

 

Dry Pieces, 2007/8 (ca 9’)

for woodwind quintet

 

Reflection No. 3, 2013 (ca 10’30’’)

for two pianos

 

Farewell, 2013 (ca 10’30’’)

for violoncello and piano

Dedicated to Cracow Duo

 

Dance of Death, 2013 (ca 5’)

for clarinet and piano

 

Betelgeuse, 2014 (ca 10’30’’)

for violin, violoncello and piano

 

Haiku No. 2, 2016 (ca 6’)

for clarinet and piano

Dedicated to Barbara Borowicz

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Reflection No. 4, 2016 (ca 13')

for flute, clarinet, violoncello, percussion and piano

(percussion 1 player: 2 suspended cymbals, 1 large tam-tam, vibraphone)
Dedicated to Toshio Hosokawa

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Donghwasa, 2017 (ca 9’)

for violin, sanjo gayageum and piano

Dedicated to Yoori Kim and Modern Ensemble

​

Death in Venice, 2017 (ca 8’30'')

for clarinet, violoncello and piano

Dedicated to Marek Żebrowski

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Follow the White Rabbit, 2017 (ca 2'45'')

for two flutes

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Reflection No. 5, 2018 (ca 23')

for clarinet and string quartet

Dedicated to Michel Lethiec

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Reflection No. 6, 2019 (ca 11')

for clarinet and one percussion player

Dedicated to Barbara Borowicz and Bartosz Sałdan

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Reflection No. 7, 2019 (ca 9')

for flute, clarinet, cello and piano

Alina Maria Yankova in memoriam

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Mojave, 2019 (ca 10'20'')

for clarinet, cello, percussion and piano

(percussion 1 player: 1 suspended cymbal (large), rainstick, bamboo wind chimes, bass drum, vibraphone)

Dedicated to Marek Żebrowski

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Adagio - Krzysztof Penderecki in memoriam, 2020/21 (ca 8’)

for string ensemble

(3,3,2,2,1)

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9/11 Elegy, 2022 (ca 9')
for cello (or viola) and piano
Dedicated to Cracow Duo: Kalinowski & Szlezer

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FOR SOLO INSTRUMENT

 

Miniatura, 1988 (ca 4’)

for solo clarinet

 

For you, 1991 (ca 3’)

for solo vibraphone

Dedicated to Kamil

 

Quasi Kwazi, 1994 (ca 2’45’’)

for solo clarinet

 

Quasi Kwazi II, 1997 (ca 4’45’’)

for solo clarinet

 

Quasi Kwazi III, 1998 (ca 7’)

for solo clarinet

 

ForMS..., 2001 (ca 7')

for solo cello

Dedicated to Marek Stachowski

 

Reflection No. 2, 2005 (ca 4’22’’)

for solo harpsichord

Prof. Marek Stachowski in memoriam

 

Haiku No. 3, 2018 (ca 7’)

for solo flute

Dedicated to Natalia Jarząbek

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Reflection No. 8, 2021 (ca 6’)

for  piano

Dedicated to Ignacy Lisiecki

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Karatachi no Hana, 2022 (ca 5')
for piano

Hakushū Kitahara in memoriam

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VOCAL-INSTRUMENTAL

 

Pamiętam...  / I Do Remember...  1992 (ca 9’30’’)

for soprano and string quartet

text: Jan Kasprowicz

 

Cztery liryki miłosne / Four Love Lyrics, 1994 (ca 12’)

for baritone and piano

text: Kazimierz Przerwa-Tetmajer, Bolesław Leśmian

 

Fuyu no sakura, 2011 (ca 11’25’’)

song in old style for mezzo-soprano and shamisen (or cello)

text: Shinkawa Kazue

 

 

VOCAL

 

Psalm 88, 1996 (9’50’’)

for unaccompanied mixed choir (SS, AA, TT, BB)

 

Per diem clamavi in nocte coram te, 1996/97 (ca 11')

for unaccompanied mixed choir (SS, AA, TT, BB)

2nd version of Psalm 88

 

...similes esse bestiis, 1997 (ca 5’)

for unaccompanied mixed choir (SS, AA, TT, BB)

text: Ecclesiastes

 

Psalm 23 (Dominus regit me), 2013 (6’)

for unaccompanied mixed choir (SS, AA, TT, BB)

 

 

ELECTRO-ACOUSTIC AND ELECTRONIC

 

Haiku, 1991 (ca 12’30’’)                                      

for voice, clarinet (EWI), processing and computer   

 

Nju MoDeL, 1994 (ca 10')

for clarinet, processing and computer

 

Coś tam underground, 1994 (ca 9')

for trumpet, viola, double bass, percussion and computer

 

Überraschung Cfaj, 1995/96 (ca 5')

for clarinet, processing, two synthesisers and computer

 

EXCH-33, 2002 (ca 7’30’’)

for EWI (electronic wind instrument) and tape

 

Mahāmudrā, 2006 (ca 10’09’’)

for electronic sounds

 

Beelden, 2006 (ca 15’)

for amplified blockflute, harpsichord and tape

Dedicated to The Roentgen Connection

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Khynar, 2008 (ca 11')

for EWI and tape